Accidentally racist

Accidentally racist

In the early 1990s, I wrote a childrenโ€™s book called Mr Nobody. Itโ€™s a small book, the kind your child might bring home from school in her backpack. Light and flexible, it was designed to be read as homework, or as a quick bedtime story. In Australia, we call these books โ€˜readersโ€™.

Mr Nobody tells the story of Michael, a small boy of around five or six, who has an invisible friend who looks just like him. I based the story on my little brotherโ€™s imaginary friend. He was blamed for anything that went wrong in our house and was also a useful stand-in when my brother was scared or frightened. Mr Nobody never wanted to visit the dentist or have his hair cut.

I was ecstatic when I sold the manuscript for exactly $1000. It was a lot of money in those days, and it made me believe I had what it took to be a childrenโ€™s author. Sadly, that dream was never realised. I wrote many other stories and articles, but publication eluded me, and I eventually lost heart, choosing to use my creative energy to write essays here on my blog, and then later in Book Chat, my newsletter for readers and eaters.

A few years ago, I was curious to see if my book was still in print, but I couldnโ€™t find the ISBN (International Standard Book Number)) on the huge database which supposedly contains the unique number for every published book in the world. I assumed this meant my book was no longer in print, so thirty years later, I was very surprised to receive a message via social media from a woman in America.

She wanted to let me know her son had borrowed Mr Nobody from his school library.

Unfortunately, she wasnโ€™t writing to tell me how much she loved it.

My child bought home your book Mr No Body (sic) from school. I found your title and your choice to describe a little black boyโ€™s shadow as an ape extremely insensitive. As a well-established author, you are intelligent enough to know exactly why describing a black childโ€™s shadow as an ape is overtly insulting.

Given your age and the generation you grew up in, I am very sure you know exactly why this was unnecessary. If you choose to include black illustrations in your childrenโ€™s books, at least give us the same respect and dignity you give to others.

Do better.

I was absolutely devastated, but I was also pretty sure she was wrong. I would never have been so insensitive as to describe a black childโ€™s shadow as an ape.

Just to be sure, I searched through my filing cabinet, found my copy of the book, and examined the front cover. Mr Nobody was an exact replica of Michael except that he was depicted as a shadow child. I felt vindicated. How could this woman have even imagined I would describe a small child as an ape? She must have misunderstood.

I wanted to send her a message to let her know she was wrong and that, more importantly, I had not had any say in the way the book was illustrated. Being a white person, I had imagined Michael as sandy haired boy who looked a lot like my brother, but I loved seeing him depicted as a little brown-skinned, curly-haired boy, resplendent in his dinosaur gumboots.

Most of all, I was thrilled that my book was still in print and that someone was describing me as a well-established author, although it made me feel bad that I wasnโ€™t, as if I hadnโ€™t been trying hard enough.

I was still very sure that she had made a mistake, but I went back and read the whole book just in case there was any chance that I had missed something. Thereโ€™s a scene where Michael is in bed and imagines thereโ€™s a monster in the wardrobe. (Spoiler alert – itโ€™s his dog). Michael gets up to investigate while Mister hides under the bedclothes.

โ€œMichael took a deep breath and crept forward. He was glad that Mister could not see how scared he really was. Suddenly a huge shadow fell across the floor. The shadow had long, long legs and great dangling arms like an ape. Michael froze.

โ€˜What are you doing out of bed?โ€™ asked Michaelโ€™s dad as he switched on the light. The shadow disappeared.โ€

Good heavens! I hadnโ€™t described Michaelโ€™s shadow as an ape, but I had described his dadโ€™s shadow as an ape, which is equally appalling.

I was surprised and ashamed. I would never have imagined a scenario where I could be accused of racism, and that it would be totally justified.

                                                                           


In 2015 there was a huge furore in Australia when a 13-year-old girl at a football match called one of the players an ape. Adam Goodes, a football star and proud Indigenous man, pointed to the girl and asked for her to be removed from the stadium by security. He later explained to the girl why calling a black person an ape was insulting, and she begrudgingly apologised.

Speaking about the incident later, Goodes said he was absolutely gutted by the insult and felt like he was back at school, where he was frequently the victim of abuse.

But the girlโ€™s mother, who chose to remain anonymous, claimed that he had โ€˜overreactedโ€™ and that her daughter was traumatised by the event. She said Goodes โ€œshouldnโ€™t take things to heart as much as he doesโ€ and that being โ€œbadgeredโ€ on the football field was part of being a football player.

A media storm resulted. Many people in the community thought that Goodes was being too sensitive, and fans began to boo him incessantly when he took the field. It was clear that many people were unwilling or unable to understand that racism is baked into Australian culture and that racist slurs exist, intentional or otherwise.

Despite support from many people in the community, Goodes took leave from the game he loved and eventually retired from football. He subsequently created The Adam Goodes Foundation, which provides educational opportunities for Indigenous youth and is widely respected in the community.                           


As the arguments in the media raged on, I counted myself firmly on the side of Adam Goodes, believing that no one, not even a child, has the right to call someone a monkey.

And all that time, I was accidentally sitting in the same camp as people I detested. An accidental racist with nowhere to hide.

To make matters worse, I took the cowardโ€™s way out and did not reply to my letter writer.

I could have made excuses for myself. I could have explained that things were different in 1994 and (white) people were not as aware of racial slurs, but I donโ€™t really think thatโ€™s true. I think they just didnโ€™t care, and the rest of us just let them get away with it.

I could say that things have changed, but what would I know?  Iโ€™m fully aware that my life as a middle-class white woman give me practically no insight into what it means to live in the world as a black person.

Over the years I have tried to educate myself by listening to black voices, but I failed to do the one thing I could have done and just said โ€˜sorryโ€™.

Iโ€™m also sad that I can no longer look at my book and feel proud that it made it into the world. Itโ€™s still a lovely book with a nice ending, but it feels slightly tarnished.

But mostly Iโ€™m sorry that somewhere in the world I made a little boy, and his mum, feel sad and angry.

I guess itโ€™s never too late to apologise, and perhaps I should do just that.


If you enjoyed this post, you might like Book Chatโ€”my fortnightly newsletter where I share book recommendations and simple recipes.

Mandarin Summer

Mandarin Summer

Back in the 1980s, when I was working as a film editor at the Australian Broadcasting Corporation, I read a book called Mandarin Summer by the New Zealand author Fiona Kidman.

Itโ€™s a coming-of-age story – also called a Bildungsroman in the literary world. If you’re unfamiliar with this term, it literally means ‘a novel of education’, because it tells the story of a character’s formative years. Some well-known examples of this genre include Jane Eyre (1847) by Charlotte Brontรซ, and The Hunger Games (2008) by Suzanne Collins. Both books feature young protagonists who are about to discover what the real world is all about.

I love books which focus on transformation, and I particularly like coming-of-age stories which feature young women on the cusp of adulthood. Theyโ€™re not easy to write because the author needs to accurately capture a voice which is sometimes childish, and at other times more worldly.

Set in 1946, Mandarin Summer tells the story of eleven-year-old Emily Freeman, who moves to the Northland of New Zealand with her parents after her father returns from the war. Luke and Constance have purchased a plot of land from the Barnsley family, but when they arrive, they discover the land they have purchased is useless.

During the drought-stricken summer that follows, Emily and her family become embroiled with the Barnsley family, and family secrets are forced into the open. The novel builds to an explosive and satisfying climax, slightly reminiscent of Jane Eyre in that it involves a fire.

When I first read Mandarin Summer, I was captivated by the writing, which is spectacularly filmic. I talked about the book so much that the film director I was working with suggested I purchase an โ€˜optionโ€™ on the rights. Matthew, the director, was a very entrepreneurial Irishman who had made several independent films, and he convinced me that purchasing an option was a great idea, even though I had no experience in being a film producer.

It was very cheap to do this, perhaps only a couple of hundred dollars for a period of around two years. Optioning a book gives the producer (in this case me) time to develop the script and approach funders. During this time, the author cannot grant anyone else a similar option and the producer pays a small fee for the privilege.

Sadly, my real life took over and in the end my option lapsed without me doing any of the required work. I could have renewed it, but it seemed unlikely I would ever get around to doing anything with it. In retrospect, I cannot imagine why I ever thought I would be able to attract backers for a movie, I only knew that the book was extremely visual and would make a great film.

What was strange about the whole situation was that at the time, I didnโ€™t even own a copy of the book!

Iโ€™d originally read a library copy (of course) and couldnโ€™t track down another copy. So when we visited Auckland a few years ago, I was delighted to find an old, yellowed copy in a second-hand bookshop and I snapped it up for old-timeโ€™s sake. It still sits on my shelf as a reminder of when I had big dreams about doing big things. Inside the book is a faded postcard of a baby Kiwi, a little chap who probably also had big dreams.

A faded copy of the book Mandarin Summer and a postcard of a Kiwi.

I was delighted to discover that Mandarin Summer is still in print, even though it was never made into a film, as far as I know. It was republished in 2021, and Iโ€™m pleased to say that the author, now known as Dame Fiona Kidman, is still writing books and poetry and is a leading figure in the New Zealand book industry. She’s 85 and still going strong.

If you’d like to read my review of a recent ‘coming-of-age’ book, also set in New Zealand, check out BOOK CHAT, my newsletter for readers and eaters.

Should you read the classics?

Should you read the classics?

A friend told me she was trying to read Wuthering Heights but was finding it hard going. I was curious about why she was persevering if it wasn’t her thing. Regular readers know my stance on reading books you aren’t enjoying, but I also understand that people often feel embarrassed if they haven’t read books they think everyone else has, especially if they are classics.

I’m reminded of a scene in a movie where the main character reads Democracy in America (by Alexis de Tocqueville) because she thinks everyone has read it and she feels inferior. It’s only when she’s finished grinding her way through the enormous book and tries to discuss it with her new friends that she finds out no-one else has actually read it. They’re all just pretending and no-one has ever found them out.

And that’s the truth of it. Many people haven’t read Dickens, the Brontรซs or Jane Austen, and this doesn’t make them any less of a reader, or a person for that matter. My friend definitely doesn’t need to think she doesn’t measure up because she hasn’t read certain books.

To be perfectly honest, I’ve never read Wuthering Heights, but I have seen the movie and the characters always drive me crazy. There are just so dramatic and make totally stupid decisions.

Where to begin?

There’s something to be said for having a crack at something more challenging, but you need to choose carefully. Victorian literature is dense and wordy, so you may need to find a quiet place to really get into the story.

If you’re keen to read one of the classics, but don’t know where to start, I would try Jane Eyre by Charlotte Brontรซ. It’s a cracking story about an orphan who endures a miserable childhood, then as a young woman gets sent to work in the home of the wealthy and impetuous Edward Rochester. First published in 1847 under the name of Currer Bell, Jane Eyre is a bildungsromanโ€‚(a coming of age story) that deals with class, sexuality and religion, but it’s also a wonderful love story with a satisfying ending. Along with Pride and Prejudice, and Gone with the Wind, it’s one of the most famous love stories of all time.

The Tenant of Wildfell Hall

Another book I enjoyed is The Tenant of Wildfell Hall by Anne Brontรซ. Published in 1848 under the name of Acton Bell, it remains remarkably relevant today with its strong feminist themes and portrayal of a woman escaping domestic abuse.

Helen Graham is a beautiful and secretive young woman. She moves into Wildfell Hall with her young son and the locals are desperate to know more about her. A man named Gilbert Markham offers Helen his friendship, but as local gossip and speculation surround her reclusive behavior continue, he wonders if he has misplaced his trust in her.

The shocking details of the disastrous marriage she has left behind emerge when she allows Gilbert to read her diary…

‘A powerful novel of expectation, love, oppression, sin, religion and betrayal’. 

Daily Mail
The Tenant of Wildfell Hall

Middlemarch

A third suggestion is Middlemarch by George Eliot (Mary Ann Evans). It’s a very long book and was originally published in eight instalments. Set in a fictitious town in England in the early 19th century, it tells the story of Dorothea, an intelligent, earnest woman who makes the mistake of marrying Edward Causabon, a man many years her senior. He’s a pompous scholar and bore and his main reason for marrying is to use Dorothea as his personal secretary. Dorothea promptly falls in love with Will Ladislaw, Edward’s idealistic cousin, but tries to remain faithful to her husband, even after his death (silly woman).

I read it many years ago and loved it, but if you really don’t think you can make it through such a long book, look out for TV series (made in 1994) which stars a young and very handsome Rufus Sewell as Will Ladislaw, and Juliet Aubrey as Dorothea.

Why did they use pen-names?

All three novels were published under male pseudonyms, a common practice in Victorian times. Some women wanted to be able to write more freely, others wanted to be taken more seriously. In the case of Eliot, its been suggested that she avoided using her own name because of her elopement with journalist and critic George Henry Lewes, a married man with whom she lived happily for many years.

According to this article, Eliot “relished being thought of as a male and was disappointed when people thought otherwise.” Until Eliot’s first mass publication, The Sad Fortunes of the Reverend Amos Barton in 1957, George Eliot was thought to be male. Eliot was outed in 1958 by a widely circulated letter written by Charles Dickens, who pointed out that the piece was too feminine to be written by a male.

Following Lewe’s death in 1878, Eliot subsequently married her accountant, John Cross and was criticised for this as well. She just couldn’t win!

Want more reading recommendations?

Sign up for Book Chat, a newsletter for readers and eaters.

What to read if you are stuck at home

What to read if you are stuck at home

I’m a person of simple tastes – I just need coffee in the morning, a glass of Rosรฉ at sundown, and a nice big pile of books to read and I’m pretty happy. Some chats with friends and family and a bit of light gardening are welcome additions.

I had a moment of panic yesterday morning when I got a notice from the library to say that the books I’d reserved were available to be picked up. Should I make an emergency dash to the library in case they closed their doors? I briefly considered this, but decided to take my chances on picking them up on Monday. I have a massive pile of books next to the bed, so I’m really not going to run out in the next six months. And there are always digital books. The library has advised that they will increase the number of digital books to better serve the needs of the community, which is great news.

We did an emergency dash to the supermarket yesterday to buy some fresh ginger, some curry powder, and some of the aforementioned Rosรฉ. I don’t want to be stuck at home without the essentials.

But back to the topic at hand. What should we be reading in this surreal situation? I think there are three options.

Get into the groove with some dystopian fiction.

If you’re up for reading dystopian books, the number one pick for me would be Station Eleven by Emily St. John Mandel. It’s about a swine flu pandemic that wipes out most of the world’s population and a group of nomadic actors and musicians who survive and band tother to travel the countryside, bringing tiny glimmers of hope and culture to the remaining people. Despite the gloomy storyline, this is actually quite an uplifting book. It’s been adapted for television, so look out for it on your screens. But honestly, I think the writing is beautiful so I would try to read it first.

Another couple of books that come to mind are quite old, but worth seeking out if you haven’t read them. I can recommend Never Let Me Go, by Kazuo Ishiguro and Fahrenheit 451 by Ray Bradbury. Fahrenheit 451 was published in 1953 (before I was born) but still resonates today. It’s well worth the effort of hunting it down. It should be in your library.

Alternatively, you could try some escapist thrillers.

I’ve got a penchant for Stella Rimington books. She writes books about spies (the type of stories that get made into TV series like Spooks). They are definitely page-turners and not especially memorable (sorry Stella) but well written and easy to consume. Other favourites are police procedurals. Try Scott Turow’s Presumed Innocent, which is also one of my all-time favourite movies.

I recently read Anne Cleve’s new book called The Long Call which I enjoyed very much and my son has offered to lend me Dervla McTiernan’s new book The Good Turn which I’m excited about. If you are planning the read this, I would definitely go back to the beginning of the series and read The Ruin first. They can be read out of order, but I prefer to read them in order of publication.

Lastly, you could read something uplifting!

One of the books that’s waiting for me at the library is The Joy of High Places by Patti Miller. This has been recommended by one of my sisters (both are avid readers) so I’m looking forward to diving into this one. Patti is an excellent writer and teaches memoir writing courses, so this one promises to be a good read.

Also on my TBR (to be read) list is a new book by Julia Baird, Australian journalist and broadcaster, called Phosphorescence. It’s comes out tomorrow, March 23 and is described as…

A beautiful, intimate and inspiring investigation into how we can find and nurture within ourselves that essential quality of internal happiness – the โ€˜light withinโ€™ that Julia Baird calls โ€˜phosphorescenceโ€™ – which will sustain us even through the darkest times.  

Review from the ‘Readings’ website

It might be a good choice for the current situation.

Lastly, I just want to say that I hope you are all doing ok. I’m deeply aware that not all of you are seeing this crises as an opportunity to read more books. Many of you will be facing an uncertain future in terms of employment and even health outcomes so if that describes your situation, my heart goes out to you. I hope you keep well and keep your cool. I genuinely think that books can bring comfort and maybe just a few hours of distraction when things are getting too much.

If you have books you’d like to recommend, or just want to touch base, do feel free to send me a message via my contact page. I would love to hear from you and will definitely respond.

Love

Marg XXX

Not enough books!

Not enough books!

I haven’t read enough books this year! I know this because I read this post by an author who said she had read a whopping 81 books as well as finishing her second novel and having a baby. I was impressed but also pretty sure that I hadn’t read anywhere near that many, so I must have been either very lazy or very busy. Let’s go with very busy…

This set me to the task of trying to work out how many books I HAVE actually read this year and I can tell you truthfully that it’s closer to two dozen than 81. I was feeling a bit like an under-achiever until I worked out that this is two books a month, which is not too shabby and also doesn’t take into account the many books that I started but didn’t finish because they were boring, too long-winded or just didn’t grab my attention for some reason. It also doesn’t include books I’ve read but forgotten about already, but in my view, if you can’t remember the plot line of a book then it probably isn’t worth counting.

I realise that it’s not important how many books you’ve read, but how much enjoyment they’ve given you. So instead of impressing you with my amazing reading prowess, I thought I would just pass on a few recommendations about books I actually finished and enjoyed as well.

Top of my list would be The One in a Million Boy by Monica Wood. This book tells the story of a 100 year old Lithuanian woman who meets an 11 year old boy obsessed with the Guinness Book of Records. I didn’t expect to like this book as much as I did as I’m not always keen on books about old people, but this really is a charming book. It’s message is that it’s never too late to strive for something.

Other books I enjoyed were:

Before we visit the Goddess by Chitra Banerjee Divakaruni. This is a cross generational and cross cultural book about mothers and daughters facing obstacles and making wise and sometimes foolish choices.

Station Eleven by Hilary St John Mandel. This is a science fiction book that I made my book group read despite their reservations. This post- apocalyptic novel tells the story of a nomadic group of actors roaming the scattered outposts of the Great Lakes region, risking everything for art and humanity. I really enjoyed this book and so did my book group!

Extinctions by Josephine Wilson. Another book about old people! What’s going on here?  I read this book mainly because it won the Miles Franklin Literary Award and also because it was written by a West Australian which is where I’m from. And although it’s about old people, it’s also above love, secrets and coming to terms with your past. It also features the work of some iconic designers and it made me happy to think that I actually knew who these people were.

The Readers of Broken Wheel Recommend by Katarina Bivald. This is a book for people who like reading books about people who like reading books. It’s not especially profound and is based on a very unlikely premise, but it’s also as comforting as a cup of hot chocolate on a cold winters day.

I could go on and on, but I’m really interested in your recommendations for books I should read in 2018. I already have a TBR list but I’m happy to add more books. There’s never enough time to read all the books on my list so a few extra won’t hurt.

Who can you trust to recommend a good book?

Who can you trust to recommend a good book?

I’m an avid reader and I’m always keen to talk about books and swap recommendations. After you’ve read a few books that someone recommends, you get a pretty good idea of whether or not you have the same tastes. It can be quite tricky when a friend tells you that a certain book is fabulous and you hate it.

In my book group we don’t always agree on the books we read, and we certainly have different tastes, but since we’ve been meeting for about 20 years we have a very good understanding of the sort of books that each member enjoys reading. One of my friends is a huge fan of Louise Penny and Nordic noir, and another really likes historical fiction and British murder mysteries. We often recommend books to one another, rather than suggesting that the whole group read them.

I tend to like books that move along quickly, but are well written. I often read contemporary fiction, for example Paula Hawkins’ book The Girl on the Trainbut to be honest these type of books don’t really stay with me after I’ve read them and I often can’t really remember the plot line or what happened in the end. I don’t particularly like books with long descriptive passages and I tend to like books with likable (but flawed) characters. I like books that make me feel and think.

I was overjoyed when I discovered the podcast What Should I Read Next? Each week the host (Anne Bogel) talks to a different guest about what books they like (and dislike) and then recommends what they should read next. If your reading tastes align with the guest, then its worthwhile tracking down their recommendations and giving these a whirl.

On top of this Anne Bogel has an online book group and every year she releases a list of recommended reading for summer. She also releases a list of her top five books and I’ve come to really trust her judgement. One book that she recommended during the year was The Mothers by Brit Bennett. I really enjoyed this book which is set in a contemporary black community in Southern California. Brit is currently in Sydney appearing at the Sydney Writer’s Festival which is on this week, so I’ll be looking out for a chance to hear her interviewed around the town.

I’m planning to read all of her top five books over the next six months. I’m already reading The Dry, by Jane Harper and I’m looking forward to reading the next one on the list. If you borrow most of your books from the local library, you might like to work your way through last year’s shortlist as these are likely to have hit the shelves of you library.

So do let me know if you have read any good books lately. I’m always keen to swap ideas.

What should you be reading?

You can always learn something new about presentation design, even if you have been doing it for some time. I have read quite a few of the presentation design books on the market so I thought I would talk briefly about a few of my favourites and you can decide for yourself if they would be useful for you to read.

My number one pick for people starting out in presentation design would definitely be The Non-designers Presentation Bookย ย by Robin Williams (not the comedian).

This is a fairly short book and covers clarity, relevance, animation and plot as well as the fundamental design principles: contrast, repetition, alignment and proximity. So basically it covers CRAP + CRAP.

I particularly like what Robin has to say about handouts. Rather than advising presentation designers to avoid providing handouts because they distract the audience, she advises us to create handouts that augment the content. This can be a good way to provide attendees with additional useful content as well as a permanent record of your presentation. However you canโ€™t simply convert your presentation slides to a handout and hope that this will do the trick. It wonโ€™t. You need to craft your handout in the same way that you craft your slides and use the same design rules. This can take a heap of time and is not something that you can realistically do for every presentation, however itโ€™s a great idea for a presentation that is going to be used across an organisation or that you are planning to deliver on multiple occasions.

There are many other fantastic tips and hints in this book, so if you want a really well written book on presentation design and can only afford one, you should think about purchasing this one. Itโ€™s not as flashy as Presentation Zen and Presentation Zen Design (both of which are beautiful) but itโ€™s good.

Look out for next weekโ€™s post on good design books and please let me knowย if you have any personal favourites.