Dear reader

Dear reader

I’ve just finished reading a lovely book called Dear Sweet Pea by Julie Murphy. It’s for middle-grade readers (8-12-year-olds), who are ready for novel length books, but not quite ready for young adult fiction, which often has quite strong themes around sexuality, loss, and the difficulties associated with transitioning from childhood to adulthood.

Dear Sweet Pea has all those themes, but they are softened. Body consciousness is dealt with gently, and relationships are all about friendship, rather than romance. It’s an enjoyable read with the main character inadvertently falling into the role of Agony Aunt when she gets involved with an eccentric neighbour who writes an advice column for the local newspaper.

It reminded me very much of a book for grown-ups called Dear Mrs Bird by A J Pearce, which has a similar storyline. Set in war-time England, Emmy (an aspiring war correspondent) takes a low-paid job at a rundown newspaper and begins to secretly answer the letters to Mrs Bird, the resident (and rather fearsome) advice columnist.

Advice columns have always been popular in newspapers and magazines. In the nineteenth century they offered advice on domestic concerns, as well as personal issues like how wives could make themselves indispensable!! They were a good way for women to ask questions about love and about sexual matters in a time when these things were not discussed openly, and doctors were mostly male.

Women have always wanted to know what’s normal and often don’t have anyone they can ask. Some topics are just plain embarrassing and hard to discuss with even your closest friends.

A good place to find the answers to embarrassing questions used to be Dolly Doctor, a column in Dolly magazine, published in Australia from 1970 to 2016. If you want to take a trip down memory lane, back issues of Dolly have been digitised by the National Library of Australia and can be found here.

Another well-known Australian agony aunt was Kate Samperi who wrote a column in the Women’s Day magazine from 1970 to 1993. She gave advice about life, love and happiness in her ‘Dear Kate’ column.

America’s most famous agony aunt was probably Elizabeth Meriwether Gilmer, also known as Dorothy Dix. She was born in 1861 and was the highest paid and most widely read female journalist in the world at the time of her death in 1951. Her advice on marriage was syndicated in newspapers around the world and her name lives on to this day in Australian politics, where a ‘Dorothy Dixer’ refers to the practice of asking a government Minister a planned question during Parliamentary Question Time. This provides an opportunity for a Member of Parliament to either show off or waste time on a matter of little importance.

Modern versions of Dorothy Dix include Dear Sugar, a column originally published anonymously by Cheryl Strayed (author of Wild) and Ask Polly, a column in The Cut magazine, where writer Heather Havrilesky gives no-nonsense advice about a range of issues including how to find new friends, when to break up with your boyfriend and whether you have to thank your aunt when she gives you terrible gifts. Be warned that there is often quite a lot of sweary language (prolific use of the *f* word) in both these columns, but I like their tough love approaches.

I guess there will always be a place for agony aunts in various guises, because despite all the changes in the last 100 years, people are still deeply insecure and in need of reassurance.

I hope you have someone you can talk to, but if not, you can always write to me and I’ll do my best to answer.

I want to be like Ramona Quimby

I want to be like Ramona Quimby

I love children’s books, so I was sad to see the passing of the children’s author Beverly Cleary (aged 104) on March 26, 2021. She was one of America’s most successful writers, selling over 91 million books during her lifetime. Her books have been translated into 12 languages and are loved by readers all over the world.

If you aren’t familiar with her work, Cleary was the author of the Ramona books (amongst others), a series of eight humorous children’s novels that center on Ramona Quimby, her family and friends. Her first book, Beezus and Ramona, appeared in 1955 and the final book, Ramona’s World, was published in 1999.

Cleary described Ramona as a feisty girl with no desire to conform, even when pressured by those around her. In Ramona the Pest, when her sister Beezus (real name Beatrice) asks her to stop being a pest, she says…

“I’m not acting like a pest. I’m singing and skipping,” said Ramona, who had only recently learned to skip with both feet. No matter what others said, she never thought she was a pest. The people who called her a pest were always bigger and so they could be unfair.

Ramona went on with her singing and skipping.

From Ramona the Pest by Beverly Cleary

Cleary (whose maiden name was Beverly Bunn), was born in Oregon, the daughter of a farmer and a school-teacher. She trained as a librarian, but didn’t start writing until she was in her thirties. She kept writing well into her eighties (there’s hope for me yet). Cleary said that children kept coming into the library asking for books about ‘children like them’ and there weren’t any, so she decided to write them herself. As a child she was a slow reader and was often sick and absent from school. This seems to be a common theme for a lot of writers. Long periods of time confined to bed must cultivate the imagination!

It’s not possible to calculate the effect that books have on people, but I think that children’s books in particular can really influence how we see ourselves in the world. It’s good to read about characters who look and feel the way you do, especially if you feel like you don’t really feel you fit in. I think this is the reason that I love Ramona. She’s both vulnerable and brave.

Here’s a lovely tribute from journalist Scaachi Koul, born some 20 years after the first Ramona book was published, talking about how the Ramona books affected her life.

Have you read any of her books? Do you have a favourite character?

Newsletters I love

Newsletters I love

Hello friends

Do you scan your inbox every morning for something interesting to read? I know I do!

I love getting emails from people I know in real life, but failing that, I enjoy reading newsletters from people I don’t know personally, but who send me stuff that’s interesting and entertaining.

I’ve been thinking about starting my own newsletter (it’s a work in progress) and this has led me to do quite a lot of research about what kind of email platforms are available, but also to think deeply about what sort of content I enjoy. The experts say that you should write the book you’d like to read, so I figure you should send out the newsletter that you’d like to receive. For me, this is usually a mixture of funny, interesting or inspiring things, with a few recipes thrown in for good measure.

These are my favourite newsletters at the moment:

Mary Laura Philpott, author of I Miss You When I Blink sends out a newsletter every couple of weeks with different book recommendations plus a few other tidbits: a link to something interesting or funny, a great tune, and a little cartoon or art of some sort. It’s short and fun. You can subscribe here.

The food writer and podcaster Jenny Rosenstrach has a newsletter called Three Things, which I love because the recipes are so simple and appealing. We have a lot of limes on our tree at the moment and I have become slightly addicted to gimlets (a cocktail involving gin, limes and elderflower cordial). The recipe for this, plus a simple angel-food cake, is here.

If you are a writer, think about subscribing to Craft Talk, by Jami Attenberg, author of many books which I admire. Her newsletter is always honest and inspirational without being cloying. You can subscribe to a paid or a free version, (I have taken the free option because I’m a cheapskate), but note that she donates most of the proceeds from the paid version to charity, and if you are an educator, you can sign up for free.

I always enjoy browsing through this newsletter from Jo Goddard which contains a nice mix of culture, fashion and articles about relationships. I especially enjoyed this article featuring the apartment of illustrator Carly Martin because I love looking at pictures of where people live.

This is just a small sample of the newsletters I’m currently subscribed to, but they are the ones that I always open and read. I’d be interested to know if you have any favourites and I’d especially like to know what it is about them you really find engaging? I’m still in the research phase, so please share what you like (and don’t like) about any newsletters you’ve signed up for.

Have a great week!

Marg

Literary fiction

Literary fiction

I’ve been watching a series called Love, Nina on the ABC. It’s based on a book by Nina Stibbe about her early days as a nanny working for a single mum (played by Helena Bonham-Carter) in a somewhat bohemian household in London.

Bonham-Carter plays Mary-Kay Wilmers, editor of the London Review of Books, who Stibbe worked for as a young woman. Nick Hornby wrote the script, and it’s very amusing, especially the dialogue between the two boys and their mum. There’s also an odd neighbour (a Scottish poet) who comes to their house for dinner every night and constantly criticises Nina’s cooking.

In the series Nina moves from Leicester to London and discovers ‘literature’ because of her friendship with a young man who lives three doors up. Early in the series he sees her reading Shirley Conran’s Lace, a trashy novel popular in the 1970s, and gives her a copy of The Return of the Native (Thomas Hardy), but she finds it frustrating and impenetrable. There’s a delightful scene where she’s reading it to her nine-year-old charge and pretending that it’s Enid Blyton so that he can help her understand what it means, but he sees through her plan and demands that she reads him The Famous Five instead.

Eventually Nina realises Hardy is writing about the characters’ interior life and not just documenting their everyday activities. She marvels at the idea that everyone has an interior life, even Aunty Gladys, and that this is what literature is all about.

I’m not sure whether this is true, and to be honest I have read little Hardy since I was about 17, but I have noticed that when you go into a bookshop, there’s always a shelf labelled ‘literary fiction’, and one labelled ‘fiction’ or sometimes ‘general fiction’. Sometimes there’s another shelf called women’s fiction, but never a shelf called men’s fiction. Poor men, why don’t they get a shelf?

Writer and teacher Allison K Williams says that in simple terms, a literary book is just one that has sold less than 10,000 copies, but I think there’s more to it than that (and I think she’d agree). She is merely making the point that if you are planning to write literary fiction, then you’d better not expect to sell thousands of copies unless you win the Booker Prize or another big literary award. Commercial fiction is written with the market in mind, and the big publishing houses seem to think that most people want to read books that are just like other books. That’s why you see books marketed as the new Eleanor Oliphant, for example.

The dictionary defines ‘literature’ as written work that is considered superior or has lasting artistic merit, but I’m not sure who decides these things. Some books are more thoughtful and engaging than others, and these are the ones that I like to read, regardless of the label.

I’m keen to know what things mean, and perhaps be moved to think about wider themes such as the value of friendship, honesty, and love, but I think these ideas can be explored in a well plotted murder mystery or a romance novel. In order for a book to move me there needs to be something that resonates at a conscious, or perhaps unconscious level, but I’m not bothered if it’s also a page-turner. I like complex characters and long sprawling multi-generational books, but most of all, I like strong storytelling.

I like books that stay with me after I’ve finished reading them. Sometimes I even catch myself wondering how the characters in the book are going, as if they were actually friends or people I’ve met somewhere. I like flawed characters and dislike one-dimensional goody two shoes. People who are good all the time are just not realistic in my book. Who’s nice all the time in real life? Not me, that’s for sure.

Why I hate starting new books

Why I hate starting new books

I often get books from the library and then they just sit there waiting for me to dive in. I’m not sure why this happens but I think it’s because starting new books requires extra concentration and sometimes this is in short supply. There’s a whole new bunch of characters to get acquainted with and you need to really focus to work out who’s who in the zoo. I find it especially hard when the book has a lot of foreign names or people with similar names, but sometimes I think I’m still attached to the people I met (and grew to love) in the last book that I was reading. I don’t want to let go of them just yet.

Once you are in a book and caught up in the story, the pages just seem to turn themselves and before you know it, it’s past your bedtime. You become invested in other people’s lives and think about them when you are washing up or cleaning the shower. I love it when that happens.

Someone once told me that if f you are going on a long plane trip or into hospital for any length of time, it’s best to take a book that you have already started reading. In both these situations your concentration is poor, so it’s preferable to be in the middle of a book rather than right at the beginning.

I remember trying to read “I know why the caged bird sings” by the writer and poet Maya Angelou when I was in early labour with my first child and realising that I should have brought a murder mystery or a romance novel with me.

I also recall going to Tasmania with my family for a lovely holiday and being unable to read any of the books I had ‘saved’ for the trip. I spent quite a bit of the plane trip trying to read Harry Potter over the shoulder of the woman next to me who was a complete stranger. I think she cottoned on in the end because she looked a bit annoyed and tried to angle the book away from me. It didn’t help that I’m quite a fast reader and kept getting to the end of the page before she did. I had taken three books with me but none of them were just right.

In Paula Munier’s book “The Writer’s Guide to Beginnings” she lists the questions that readers want answered when they start a new book.

We need to work out what kind of book we are reading, who is telling the story and where it takes place, but most of all we need to know why we should care about them. Very clever writers can answer most of these questions in the first couple of paragraphs. It doesn’t necessarily need to answer all our questions, we just need to get hooked enough to make us turn the first page.

Choosing your next book is also a very personal thing. I like to download samples onto my iPad and read the first couple of chapters before I purchase a book or request a title from the library (it’s usually the latter). When I’m looking for something new to read, I just browse through my sample chapters until something takes my fancy. Either that, or I go to my circle of friends (which includes my reading family) and ask them what they’ve been reading lately.

How do you choose your next read?

Book group “rules”

Book group “rules”

About 12 months ago we welcomed a new member to our little book group. At least I thought we were welcoming, but it turns out that perhaps we weren’t quite as welcoming as I had imagined. Our new member has decided to quit, citing the need to get up incredibly early to catch the 5am train, but we all know that we could have done more to make her feel like part of the group.

It wasn’t all our fault of course. Sometimes people just don’t gel with other people and that’s ok. It’s probably really hard for a new person to join our group which has been meeting for about twenty years. We have a good understanding of what kind of books each person likes to read, and we often swap books that we think another member will like, but we don’t mind branching out into something new every now and then. It’s very boring to read the same kind of books all the time. I like to think we aren’t too narrow in our choices although we mainly read fiction.

The last book we read was non-fiction and was chosen by the new person and I found it a difficult and sombre read. I was glad I had read it, but it was an awfully dark book to read in the middle of a pandemic. It didn’t help that it was a true story. A horrifying tale of man’s inhumanity to man set on Manus Island. If you aren’t familiar with what happens on Manus Island, let’s just say that it makes me ashamed to be an Australian.

I expressed these views at our meeting. Perhaps I should have kept them to myself? Was she offended that I didn’t enjoy the book she had chosen? To be honest, it’s not a book that anyone would enjoy, but it’s an important book and I think I made this clear.

I’ve been thinking about this a lot and I’ve come up with some ideas (I hesitate to call them rules) on running your book group.

  1. If people don’t like the book you’ve recommended, don’t take it personally and don’t apologise. We once read a book that I recommended and loved, and my friend said it was “like eating cold porridge.” I thought her comment was hilarious. Some books are just not for you and that’s okay. You are allowed to love books that other people hate. It’s nice when everyone says “I loved this book” but it’s not necessarily desirable, and it’s definitely not mandatory. Some of our best discussions have occurred when half the group loved the book and the other half hated it.
  2. Try to give some space to the quietest person in the group. They usually have something brilliant to say if everyone else shuts up and gives them a chance.
  3. Communicate with the group in between meetings and don’t leave anyone off the email list or they’ll get miffed. Try to make sure that everyone “replies all”. Private messages just confuse things and leave some people in the dark about what is happening. Feelings can be hurt.
  4. Don’t try to keep the conversation completely on the book. Tangents are ok and sometimes very interesting. We’ve had some awesome discussions about the themes of books (motherhood, grief and loss, sexuality) and if someone had insisted that we “must go back to talking about the book” then these discussions would never have happened.
  5. Be forgiving if people forget what the book is or what date the meeting is. If you’ve taken on the role of unofficial secretary, send out a reminder. People are busy and have a lot going on in their lives. (This is actually a note to self. I get annoyed when people forget when book group is, but my life is relatively uneventful. Also, I put it in my calendar!!)
  6. Try to find ways to diversify your reading. There are some fantastic books out there that aren’t on the best seller list. Try reading some translated books, some classics, and some genres you don’t usually read. Also try graphic novels, YA fiction, poetry and memoir. You might be just on the verge of a great new discovery. Here’s a great blog if you are interested in hearing from different voices.
  7. Check that the library has at least two copies of the book before you recommend it. Not everyone has the financial means to buy new books.
  8. Also, it’s worth checking out what kind of book boxes your local library can provide. They often have multiple copies of books just waiting to be borrowed by book groups.
  9. Try to have some kind of system for choosing the next book. Our group usually has a list of books we think we’d like to read in the coming year but we still spend ages trying to decide what to read next, so this year we are trying a rotation method where each person takes a turn to choose the book. I’m not sure whether this is working for everyone, but it does cut down the time trawling through possible reads and it means everyone gets a chance to choose at least one book they like.
  10. Just to reiterate point one (and because a list of 10 points is tidier than nine) please remember that what you have in common is curiosity and a love of reading and that if no-one likes the book you chose, it’s okay. After all, it’s not as if you wrote it.

Do you have any suggestions to add?

What are you consuming?

What are you consuming?

A young girl is found dead in the forest and the killer is at large.

I often wonder why we are attracted to this scenario when it’s such cliché. It seems that in nearly every new thriller another girl is found dead in the forest. How many forests are there in the world? And why is it always (or mostly), a young girl who’s been murdered? And more importantly, why do we continue to watch these shows and read these books when the world seems to be falling down around our ears. How has it become normal to watch the re-enactment of a murder as a way of winding down after a hard day at work, or escaping from the realities of the news?

I’m not judging you. I’m exactly the same. I’m looking out for that great new show or book that will take me away from a world where disasters are much too real and terrible things are happening. I recently watched an entire series on SBS in just a few days which I know isn’t anything unusual, people binge watch all the time, but it’s unusual for me.

Perhaps fictional murders are easier to deal with than real life. No doubt there’s a lot of psychology here (and a few PhDs in the making), but for my money I think that the fact that we know it isn’t real is somehow weirdly comforting. The mystery element of working out “who done it” engages our brain and takes us away from our everyday problems.

To offset my viewing choices, I’ve tried to expand my mind with some non-fiction titles during my time at home, but I’m still drawn to murder mysteries as they are just so consumable. It’s so easy to just keep reading, sometimes late into the night. The room painting project is suffering and so is the writing.

I wonder if you are drawn to murder mysteries in these strange times or whether you are after a good comfort read? I’m trying to alternate between books that inspire, educate or inform, and just pure escapism. I can churn through light fiction in a couple of days, but the more serious stuff seems to take weeks to read, even though it’s good for my mind and my soul.

I try not to feel guilty about reading light fiction, in fact I don’t know why I even think I SHOULD feel guilty.

There are enough things to worry about without thinking that your reading isn’t up to scratch.

After all, who’s judging? I don’t worry about what other people think but sometimes I get to the end of a book and feel like I’ve been eating fairy floss. I haven’t learnt anything, I haven’t filled up my brain with any goodness, I’ve just distracted myself for a few hours. I suppose there are worse vices but I’m conscious that my reading and viewing choices are a bit unsatisfying. A bit like eating too much ice-cream, enjoyable at the time but not very nutritious.

For me, the best solution is to find books that are compelling, well-written, but not too demanding. I’m quite keen on endings that are uplifting. They don’t have to have a happy ending, all tied up in a bow, but I do like to finish a book feeling that things will work out eventually.

Do you have any suggestions that fit those criteria? I already have a massively long TBR, but one can never have too many books to read.

The writer’s contract

The writer’s contract

I’ve just finished reading a book with a maddening ending. It was a well-constructed mystery with quite a complicated storyline full of lots of twist and turns and I was really enjoying it until I came to the end and found that ALL the clues were essentially red herrings and that the truth was something entirely different.

I think that when you read a mystery you are entering into a kind of contract with the writer. They feed you clues (a few red herrings are ok) and you try to work out who the baddies are and why they committed the crime.

At the end of this book I felt like I’d been cheated. No-one was really who you thought they were, and everyone was lying except for the lead character who’d really just been duped by everyone else. I wouldn’t have guessed the ending in a million years (which is ok, I’m not a detective) but I like to be able to look back through the story and see that the clues were all there if you looked hard enough.

I won’t name the book as it got rave reviews and I admire and respect anyone who can actually write a whole book, but all the same, it was disappointing. I might read another book by the same author as I liked her style and the lead was pretty quirky and interesting. It could have just been me that missed the clues, but I really don’t think so…

By contrast, The Wife and the Widow by Christian White has a really satisfying ending which you don’t see coming (and I won’t give it away) but when you look back you can see that it all makes sense. I read a review that said you could see the ending a mile off, but me, I didn’t see it at all.

This got me wondering where the term “red herring” actually comes from. According to this article, red herrings (being very smelly) were commonly used to train animals (horses or dogs) to follow a scent, but the term was first used in a literary sense by the British journalist William Cobbett in an article about the press allowing itself to be misled by false information. I guess that would be called “false news” these days.

I don’t like too many red herrings in books unless they are explained later. It’s too easy to throw in random clues that have nothing to do with the storyline. I especially hate it when people are described as ‘suspicious’ and turn out to be perfectly normal. Why tell us that someone is suspicious if they aren’t? It’s breaking the writer’s contract. I expect the author to tell me the truth and keep their part of the bargain, otherwise I just get cross.

What about you? Is there anything that drives you crazy?

We Are Not Ourselves – book review

We Are Not Ourselves – book review

It’s been a while since I’ve been able to focus long enough to read an entire book.

It’s incredibly hard to concentrate with so much going on in the world and although escaping into a book seems like an easy thing to do, in reality you need to choose exactly the right book in order to be transported into that parallel universe that a good book can provide.

I’ve just finished reading “We Are Not Ourselves” by Matthew Thomas. I put off reading the last chapter because I didn’t want it to end, but I was also a little bit nervous in case it just trailed off. Some novels do that, it’s as though they don’t quite know how to finish. I don’t like endings to be too tidy and twee, but I do like books that give you some sense of things being put right with the world.

It’s a lengthy book (600+ pages) about a marriage between two very different people. Eileen comes from Irish immigrant stock; Ed is a college professor with early onset Alzheimer’s disease. But it’s not just about navigating his illness, it’s about all the ways that relationships evolve over time. It’s about love, death, and birth, and finding compassion for yourself and others. The blurb on the back says that it took the author ten years to write and it’s easy to see the time and effort that went into crafting this novel.

I have a soft spot for books of this kind. You’ll find them frequently in my lists of favourite books and I think this is because I like to know what happens to people as they grow and change. I like to see how people mellow as they age, and how they start to think about things differently. I’m also very partial to books that remind you about what really matters.

At the end of the book, the son reads a letter from his father which says…

When the world is full of giants who dwarf you, when it feels like a struggle just to keep your head up, I want you to remember that there is more to live for than mere achievement. It is worth something to be a good man. It cannot be worth nothing to do the right thing.

Matthew Thomas

Being a good person has value. Good reminder.

What to read if you're stuck at home

What to read if you're stuck at home

I’m a person of simple tastes – I just need coffee in the morning, a glass of Rose at sundown, and a nice big pile of books to read and I’m pretty happy. Some chats with friends and family and a bit of light gardening are welcome additions.

But I did have a moment of panic yesterday morning when I got a notice from the library to say that the books I’d reserved were available to be picked up. Should I make an emergency dash to the library in case they decided to close their doors? I briefly considered this, but then decided to take my chances on picking them up on Monday. Also I have a massive pile of books next to the bed so I’m really not going to run out in the next six months. And there’s always digital books. The library has advised that they will be increasing the number of digital books to better serve the needs of the community which is great news.

We did an emergency dash to Aldi yesterday to buy some fresh ginger (??), some curry powder and some of the aforementioned Rose. We saw people coming out with TP and snagged the last four-pack so we were well-pleased with ourselves.

But back to the topic at hand. What should we be reading in this surreal situation? I think there are three options.

Get into the groove with some dystopian fiction.

If you’re up for reading dystopian books, the number one pick for me would be Station Eleven by Emily St. John Mandel. It’s about a swine flu pandemic that wipes out most of the world’s population and a group of nomadic actors and musicians who survive and band tother to travel the countryside bringing tiny glimmers of hope and culture to the remaining people. Despite the gloomy storyline, this is actually quite an uplifting book in many ways. It’s been recently been turned into a TV series, so look out for it on your screens. But honestly, I think the writing is beautiful so I would try to read it first.

Another couple of books that come to mind are quite old, but worth seeking out if you haven’t read them. I can recommend Never Let Me Go by Kazuo Ishiguro and Fahrenheit 451 by Ray Bradbury. Fahrenheit 451 was published in 1953 (before I was born) but still resonates today. It’s well worth the effort of hunting it down. It should be in your library.

Alternatively, you could try some escapist thrillers.

I’ve got a penchant for Stella Rimington books. She writes books about spies (the type of stories that get made into TV series like Spooks). They are definitely page-turners and not particularly memorable (sorry Stella) but quite well written and easy to consume. Other favourites are police procedurals. Try Scott Turow’s Presumed Innocent which is also one of my all time favourite movies.

I recently read Anne Cleve’s new book called The Long Call which I enjoyed very much and my son has offered to lend me Dervla McTiernan’s new book (The Good Turn) which I’m excited about. If you are planning the read this, I would definitely go back to the beginning of the series and read The Ruin first. The books can be read out of order, but I prefer to read them in order of publication.

Lastly, you could read something uplifting!

One of the books that’s waiting for me at the library is The Joy of High Places by Patti Miller. This has been recommended by one of my sisters (both are avid readers) so I’m looking forward to diving into this one. Patti is an excellent writer and teaches memoir writing courses, so this one promises to be a good read.

Also on my TBR (to be read) list is a new book by Julia Baird, Australian journalist and broadcaster, called Phosphorescence. It’s comes out tomorrow, March 23 and is described as…

A beautiful, intimate and inspiring investigation into how we can find and nurture within ourselves that essential quality of internal happiness – the ‘light within’ that Julia Baird calls ‘phosphorescence’ – which will sustain us even through the darkest times.  

Review from the ‘Readings’ website

It might be a good choice for the current situation.

Lastly, I just want to say that I hope you are all doing ok. I’m deeply aware that not all of you are seeing this crises as an opportunity to read more books. Many of you will be facing an uncertain future in terms of employment and even health outcomes so if that describes your situation, my heart goes out to you. I hope you keep well and keep your cool. I genuinely think that books can bring comfort and maybe just a few hours of distraction when things are getting too much.

If you have books you’d like to recommend, or just want to touch base, do feel free to send me a message via my contact page. I would love to hear from you and will definitely respond.

Love

Marg XXX